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Карл Стамиц (1745–1801) — крупный представитель «мангеймской школы» и раннего классицизма. Вел активную гастрольную деятельность как исполнитель-виртуоз на скрипке, альте и виоле д’амур. Его перу принадлежит множество произведений, самые известные на сегодняшний день — 11 концертов для кларнета с оркестром и концерт для альта с оркестром. Сонаты для альта Стамица часто исполняются музыкантами в процессе обучения. Соната B-dur датируется примерно 1780 годом.
Издание адресовано студентам и педагогам струнных отделений музыкальных училищ и вузов, музыкантам-исполнителям.
Carl Philipp Stamitz (1745–1801) was a German composer of Czech origin, one of the main figures of the “Mannheim school” and early classicism. He toured actively as a virtuoso violin, viola and viola d’amore performer. He’s became the author of many works, the most famous of which today are his 11 clarinet concertos and the viola concerto. Viola sonatas by Stamitz are often performed by musicians in the process of studying. Sonata B-dur dates from around 1780.
The edition is addressed to students and teachers of strings departments of music colleges and higher schools, and performing musicians.
Издание адресовано студентам и педагогам струнных отделений музыкальных училищ и вузов, музыкантам-исполнителям.
Carl Philipp Stamitz (1745–1801) was a German composer of Czech origin, one of the main figures of the “Mannheim school” and early classicism. He toured actively as a virtuoso violin, viola and viola d’amore performer. He’s became the author of many works, the most famous of which today are his 11 clarinet concertos and the viola concerto. Viola sonatas by Stamitz are often performed by musicians in the process of studying. Sonata B-dur dates from around 1780.
The edition is addressed to students and teachers of strings departments of music colleges and higher schools, and performing musicians.
«Песни странника» на слова китайских поэтов VII–IX веков — одно из самых загадочных и новаторских для своего времени сочинений Георгия Свиридова. Философский строй, созерцательность и отстранённая глубина китайской поэзии в переводах выдающегося русского синолога Юлиана Щуцкого стали отправной точкой для создания шестичастного вокального цикла-поэмы, описания странствий длиною в человеческую жизнь. Произведение завершает ранний период творчества композитора и содержит в себе черты, характерные для зрелого этапа с его лирико-эпической поэмностью, масштабностью замыслов, крупностью чувств и мыслей, оркестровостью звучания. Данное издание впервые знакомит профессионалов-исполнителей и любителей музыки с сочинением, необычным для творца пушкинских романсов или поэм «Отчалившая Русь» и «Петербург».
Based on verses by Chinese poets of the 7th and 9th centuries, Songs of the Wanderer is one of Georgy Sviridov’s most enigmatic and innovative works. The philosophical and contemplative depth of Chinese poetry in translation by the prominent Russian sinologist Julian Shchutsky provided the foundation for a six-part vocal cycle that captures a journey through human life. The composition marks the conclusion of Sviridov’s early period and contains features characteristic of his mature style with its lyrical-epic poetic aspiration, its ambitious scale, its emotional and conceptual depth, and its symphonic textures. For the fi rst time, this edition introduces professional musicians and music lovers to a work that is somewhat unusual for a composer known for his Pushkin Romances and the vocal poems Russia Cast Adrift and Petersburg.
Based on verses by Chinese poets of the 7th and 9th centuries, Songs of the Wanderer is one of Georgy Sviridov’s most enigmatic and innovative works. The philosophical and contemplative depth of Chinese poetry in translation by the prominent Russian sinologist Julian Shchutsky provided the foundation for a six-part vocal cycle that captures a journey through human life. The composition marks the conclusion of Sviridov’s early period and contains features characteristic of his mature style with its lyrical-epic poetic aspiration, its ambitious scale, its emotional and conceptual depth, and its symphonic textures. For the fi rst time, this edition introduces professional musicians and music lovers to a work that is somewhat unusual for a composer known for his Pushkin Romances and the vocal poems Russia Cast Adrift and Petersburg.
«Песни странника» на слова китайских поэтов VII–IX веков — одно из самых загадочных и новаторских для своего времени сочинений Георгия Свиридова. Философский строй, созерцательность и отстранённая глубина китайской поэзии в переводах выдающегося русского синолога Юлиана Щуцкого стали отправной точкой для создания шестичастного вокального цикла-поэмы, описания странствий длиною в человеческую жизнь. Произведение завершает ранний период творчества композитора и содержит в себе черты, характерные для зрелого этапа с его лирико-эпической поэмностью, масштабностью замыслов, крупностью чувств и мыслей, оркестровостью звучания. Данное издание впервые знакомит профессионалов-исполнителей и любителей музыки с сочинением, необычным для творца пушкинских романсов или поэм «Отчалившая Русь» и «Петербург».
Based on verses by Chinese poets of the 7th and 9th centuries, Songs of the Wanderer is one of Georgy Sviridov’s most enigmatic and innovative works. The philosophical and contemplative depth of Chinese poetry in translation by the prominent Russian sinologist Julian Shchutsky provided the foundation for a six-part vocal cycle that captures a journey through human life. The composition marks the conclusion of Sviridov’s early period and contains features characteristic of his mature style with its lyrical-epic poetic aspiration, its ambitious scale, its emotional and conceptual depth, and its symphonic textures. For the fi rst time, this edition introduces professional musicians and music lovers to a work that is somewhat unusual for a composer known for his Pushkin Romances and the vocal poems Russia Cast Adrift and Petersburg.
Based on verses by Chinese poets of the 7th and 9th centuries, Songs of the Wanderer is one of Georgy Sviridov’s most enigmatic and innovative works. The philosophical and contemplative depth of Chinese poetry in translation by the prominent Russian sinologist Julian Shchutsky provided the foundation for a six-part vocal cycle that captures a journey through human life. The composition marks the conclusion of Sviridov’s early period and contains features characteristic of his mature style with its lyrical-epic poetic aspiration, its ambitious scale, its emotional and conceptual depth, and its symphonic textures. For the fi rst time, this edition introduces professional musicians and music lovers to a work that is somewhat unusual for a composer known for his Pushkin Romances and the vocal poems Russia Cast Adrift and Petersburg.
Настоящий сборник содержит все произведения, написанные Вольфгангом Амадеем Моцартом для флейты с оркестром. Концерт для флейты с оркестром № 1 соль мажор, Концерт для флейты с оркестром № 2 ре мажор (представляющий собой переработанный Концерт для гобоя с оркестром до мажор) и Анданте для флейты с оркестром до мажор были сочинены Моцартом во время его пребывания в Мангейме в 1778 году по заказу врача и флейтиста-любителя Фердинада Дежана. Настоящее издание включает в качестве приложения каденции ко всем частям произведений за авторством немецкого флейтиста, композитора и педагога Рудольфа Тильмеца (1847–1915).
Издание адресовано студентам музыкальных училищ, вузов, концертирующим ис-полнителям.
This collection includes all the works written by Wolfgang Amadeus Mozart for flute and orchestra. Flute Concerto № 1 G-dur, Flute Concerto № 2 D-dur (the re-worked Oboe Concerto C-dur) and Andante for Flute in Orchestra C-dur were written by Mozart during his stay in Mannheim in 1778, commissioned by physician and amateur flutist Ferdinand Dejean. This edi-tion includes as an appendix cadenzas for all the movements of the works by the German flutist, composer and teacher Rudolf Tillmetz (1847–1915).
The edition is addressed to students of music colleges and higher schools, performing musi-cians.
Издание адресовано студентам музыкальных училищ, вузов, концертирующим ис-полнителям.
This collection includes all the works written by Wolfgang Amadeus Mozart for flute and orchestra. Flute Concerto № 1 G-dur, Flute Concerto № 2 D-dur (the re-worked Oboe Concerto C-dur) and Andante for Flute in Orchestra C-dur were written by Mozart during his stay in Mannheim in 1778, commissioned by physician and amateur flutist Ferdinand Dejean. This edi-tion includes as an appendix cadenzas for all the movements of the works by the German flutist, composer and teacher Rudolf Tillmetz (1847–1915).
The edition is addressed to students of music colleges and higher schools, performing musi-cians.