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Музыкальный спектакль «Осенний сон» (1921) стал одной из вершин творчества композитора и художника, яркого представителя русского авангарда Михаила Матюшина. В этом экспериментальном произведении, построенном на книге его супруги, писательницы и художницы Елены Гуро, Матюшин воплотил в жизнь новаторские режиссерские идеи и суммировал свои музыкальные наработки более чем за 10 лет. Однако после единственного показа в камерной домашней обстановке «Осенний сон» не исполнялся и оказался забыт на целый век. Настоящее издание — плод масштабной научной работы: партитура постановки была реконструирована по рукописям композитора, атрибутированным автором редакции Сергеем Уваровым. Публикация дополнена графическими работами Елены Гуро, воплощающими образы из книги. Часть рисунков публикуется впервые.
The musical performance “The Autumn Dream” (1921) became one of the peaks in the creative career of Mikhail Matyushin — a composer, artist and outstanding representative of the Russian avant-garde. In this experimental work, based on the book by his wife Elena Guro (an author and artist), Matyushin expressed innovative director’s ideas and summarized his composer’s schemes of over 10 years. However, after the single chamber home performance, “The Autumn Dream” was never performed and was forgotten for an entire century. The current edition is the result of extensive scientific research: the perfоrmance score was reconstructed following the composer’s manuscripts, attributed by Sergei Uvarov, the editor. The publication is supplemented by graphic works by Elena Guro, illustrating the book’s images. Some of the drawings are published for the first time.
The musical performance “The Autumn Dream” (1921) became one of the peaks in the creative career of Mikhail Matyushin — a composer, artist and outstanding representative of the Russian avant-garde. In this experimental work, based on the book by his wife Elena Guro (an author and artist), Matyushin expressed innovative director’s ideas and summarized his composer’s schemes of over 10 years. However, after the single chamber home performance, “The Autumn Dream” was never performed and was forgotten for an entire century. The current edition is the result of extensive scientific research: the perfоrmance score was reconstructed following the composer’s manuscripts, attributed by Sergei Uvarov, the editor. The publication is supplemented by graphic works by Elena Guro, illustrating the book’s images. Some of the drawings are published for the first time.
Футуристическая опера «Победа над Солнцем» (1913) — шедевр русского авангарда, уникальное явление отечественного музыкального театра. Композитор Михаил Матюшин, поэты Алексей Крученых и Велимир Хлебников, художник Казимир Малевич в тесном сотворчестве создали парадоксальное и скандальное сценическое представление, опередившее время и ставшее образцовым примером синтеза искусств. Настоящее издание впервые представляет научную редакцию оперы, включающую сверенный со всеми источниками поэтический и музыкальный текст, в том числе эпизоды, найденные автором редакции Сергеем Уваровым в архиве Матюшина и публикуемые впервые. Партитура дополнена репродукциями эскизов Малевича к «Победе над Солнцем».
The futuristic opera “Victory Over the Sun” (1913) is the Russian avant-garde masterpiece, a unique phenomenon of a Russian music theatre. The composer Mikhail Matyushin, the poets Alexei Kruchyonykh and Velimir Khlebnikov, the artist Kazimir Malevich created in a close collaboration a par-adoxical and shocking stage production that came to be ahead of its time and became a fine example of the synthesis of arts. The current edition represents the first approved edition of the opera, with lyrics and score verified according to all sources, including episodes found by the editor Sergei Uvarov in the Matyushin archive and published for the first time.
The score is supplemented with reproductions of Malevich’s sketches for “Victory Over the Sun.”
The futuristic opera “Victory Over the Sun” (1913) is the Russian avant-garde masterpiece, a unique phenomenon of a Russian music theatre. The composer Mikhail Matyushin, the poets Alexei Kruchyonykh and Velimir Khlebnikov, the artist Kazimir Malevich created in a close collaboration a par-adoxical and shocking stage production that came to be ahead of its time and became a fine example of the synthesis of arts. The current edition represents the first approved edition of the opera, with lyrics and score verified according to all sources, including episodes found by the editor Sergei Uvarov in the Matyushin archive and published for the first time.
The score is supplemented with reproductions of Malevich’s sketches for “Victory Over the Sun.”