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С именем Карла Юльевича Давыдова (1838–1889) связан процесс становления виолончельной школы в России. На занятиях со студентами Давыдов избегал чисто инструктивных материалов и музыки низкого художественного уровня. Композиторское творчество при жизни виолончелиста пользовалось огромным спросом и любовью среди любителей и профессиональных музкантов. Тем не менее, Давыдов был довольно строг с собственному творчеству. В настоящее издание вошли избранные пьесы для виолончели и фортепиано.
Сборник адресован исполнителям различного уровня профессиональной подготовки: ученикам старших классов ДМШ и ДШИ, студентам музыкальных училищ, консерваторий, профессиональным виолончелистам, любителям инструментальной музыки.
The process of establishing the cello school in Russia is associated with the name of Karl Julievich Davydov (1838–1889). Davydov avoided purely instructional pieces and music of a low artistic quality in his classes with students. During the cellist’s lifetime, his works of a composer were in great demand and were loved by amateurs and professional musicians. Nevertheless, Davydov was quite strict with his own work. This edition includes selected pieces for cello and piano.
The collection is addressed to performers of a different professional level: pupils of senior grades of children’s music schools and children’s schools of arts, students of colleges and conservatories, performing cellists, instrumental music lovers.
Сборник адресован исполнителям различного уровня профессиональной подготовки: ученикам старших классов ДМШ и ДШИ, студентам музыкальных училищ, консерваторий, профессиональным виолончелистам, любителям инструментальной музыки.
The process of establishing the cello school in Russia is associated with the name of Karl Julievich Davydov (1838–1889). Davydov avoided purely instructional pieces and music of a low artistic quality in his classes with students. During the cellist’s lifetime, his works of a composer were in great demand and were loved by amateurs and professional musicians. Nevertheless, Davydov was quite strict with his own work. This edition includes selected pieces for cello and piano.
The collection is addressed to performers of a different professional level: pupils of senior grades of children’s music schools and children’s schools of arts, students of colleges and conservatories, performing cellists, instrumental music lovers.